*Gone Sanity: A Reappraisal of Haneefah's Outlet from A Contrastive Periodic Analysis And An Intricate Juxtaposition of Historical Composite.* Haneefah's work, as many other African works, shall be broken into review typically from a three consecutive historical periods in Nigeria: pre-colonial, colonial, and post-colonial periods respectively, taking to account symbolism/satirism  as an analytical tool or tools. It's apposite to here strike the point that the analysis would be informed and underpinned by the antithetical positions and ideological gaps having been created over time by the divergent mindsets endorsed by the drivers of each period. And till date, the ideological gaps have become too wide to breed again as every of the phenomena which characterizes these devilish periods, most especially colonial era, have all boiled down to what Nigerians have woken up to consider as "songs of sorrow", social decadence, political deaths versus reincarnation, soci