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GIVE THE RESPECT TO A DOG INSTEAD

Men can practically ask you to lick their dirty legs that have had a dance in mud of doom if you give them the chance. My roommate was giving me a gist of how a guy has been all over her , so she had no choice but to give him a chance to take her out on a date . After the date , the guy talks to her any whichway but trust some ladies now,  they take no shit.  She invited him to a restaurant after a week of taking her out.  She bought him the same food he bought for her,  he stupidly ate it like a hungry begger and she said afterwards,  "now I have paid you what you think I owe you.  So you have no right to talk to me the way you want anymore" Boom! The thing shock the guy o. Dear guys, even if you buy the whole world for a lady she still deserves respect. We are Queens that are to be treated well. Beware! Or the dogs will get our respects instead
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I AM NOT NIGERIAN

You packed your stuffs from the hostel one evening at the end of the session but you are not packed  yourself. You didn't have transport fare so you had to carry your bed, your small drum and your stove in your hands and you were trekking off campus with all difficulty. You stopped so many times because the stuffs were heavy. You weren't really expecting help from anybody. Not because you have passed different bunches of guys who didn't offer to help but because help will only come when they are Nigerians. You stopped again when you got halfway to your destination and you were stretching you hands when you heard a male voice say "Let me help with the heavy one." But you hesitated even when you knew you needed help, "Umm, no thanks. I will manage." And he insisted, "Don't worry I am not Nigerian." And he helped. Yes! He is a Nigerian. He is not Nigerian means 'He just wants to help. No strings attached. No number collecting.  He is ...
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A REVIEW OF HANEEFAH ABDULRAHMAN'S "GONE SANITY" BY ABDULSALAM IBRAHEEM KEHINDE

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*Gone Sanity: A Reappraisal of Haneefah's Outlet from A Contrastive Periodic Analysis And An Intricate Juxtaposition of Historical Composite.* Haneefah's work, as many other African works, shall be broken into review typically from a three consecutive historical periods in Nigeria: pre-colonial, colonial, and post-colonial periods respectively, taking to account symbolism/satirism  as an analytical tool or tools. It's apposite to here strike the point that the analysis would be informed and underpinned by the antithetical positions and ideological gaps having been created over time by the divergent mindsets endorsed by the drivers of each period. And till date, the ideological gaps have become too wide to breed again as every of the phenomena which characterizes these devilish periods, most especially colonial era, have all boiled down to what Nigerians have woken up to consider as "songs of sorrow", social decadence, political deaths versus reincarnation, soci...
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